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Growing up I went through an intense Alice Cooper phase. I knew all his music and worshipped it as a way of life. When Alice asked me to play a solo on his record, it was like a cosmic convergence taking place before me or something like that. I had to chuckle at the odds of it all.
When it was complete, Alice sent me this terrifically gnarly turquoise ring as a gift. Joe Satriani and I both play solos on this song. Some nice harmonies. This is a greatest hits CD. I play on several songs on this volume. The band does a pretty stunning version of "Drowning Witch" here. This was one of my favorite Frank songs, it was so beautiful.
He knew when it was happening that it was something special too. Everything he went for, he got. It was totally inspired. I had dreams of that solo later on. Afterwards I said, "Frank, that was… there are no words I could utter to describe how intense that was. On second thought… jksadfhfdskhlklhdfsklhdfsklhdfsklhklhdfsklhdklhdfsklhdsf! Doing the Whitesnake album and touring with them was an opportunity to get to do what I love to do the most… go out on tour with a big rock band and play to millions of people.
It was a cake gig with good rock music. All of the songs were written by the time the guitars were to be recorded. I did my best to put the right axe to it, did the tour, had a blast with some great guys, promoted Passion And Warfare while I was out there and made a truck load of ducats, then moved on with my life.
I enjoyed the tour and the people in the band. Well, look at the bright side. I learned some new hair tricks! This series spans many different bands with whom Frank toured. I appear periodically throughout these volumes. I used it as a spare and was always a little nervous to play it, but I remember the second show of the tour we had a new guitar tech and my guitar went out of tune so I had to switch guitars. The tech handed me a guitar that had the E string tuned to F.
So, I had to put the guitar down and wait for him to tune my guitar. Frank turned to me to start "Zombie Woof" because I was the one who started the song when he gave the cue. He looked at me and I had no guitar in my hand, and the look on his face was that of surprise, confusion, yet disappointment and in a way that only Frank could do it. I shrugged my shoulders and smiled, and they started the song without me.
The guitar tech was on a plane home the very next day. Oh, well. Dave made a conscious effort to move in a different direction and wanted to try his hand at producing, with me as co-producer. What Swans? I highly recommend this challenging record.
Marty Schwartz is a very dear friend of mine and a great guitarist. He converted the garage at the Sylmar house see Flex-Able into a den of musical inequity, and lived in it. He would occasionally duck into my studio and record. This record he made is inspired. I did this wild solo on the song "Western Vacation" on my portastudio while on tour.
If you like the the more stretched and bizarre side of guitar playing, you will surely get a kick out of this. This track can also be found on The Best of Randy Coven. Randy Coven is an exceptional bass player with whom I went to school in Boston. We were in a band together around that time called "Morning Thunder".
We would write all this ridiculously complex music and then try to play it. Dave Rosenthal was the keyboard player and Eddie Rodgers the drummer. There is voluminous material written from the days with this band and someday a record of these brutally complex, ragingly nonsensical pieces may be available.
We used to play it back in Morning Thunder around Released Warner Bros. Records Steve plays guitar throughout this CD. This CD spawned hits including "Goin' Crazy!
Some people believe this to be one of the great rock records of the decade. It was a ground-breaking event for a skinny kid from Long Island. It actually made me a guitar hero overnight thanks to the steady eye of all the Edward Van Halen fans that were waiting to see what the guitar under the voice of David Lee Roth was going to sound like.
We rehearsed long and hard on it. Dave and I went jogging through Central Park almost every day and sometimes late at night with security. The tour is what notorious rock and roll gossip is made out of. It was not uncommon to have naked women dancing on the dinner table and then having oral sex with each other over a bottle of white wine, or with a bottle of white wine.
This is a band that the great Indian violinist L. Shankar had put together in the 80s. Although he is probably the most stunning classical Indian violin virtuoso known to man, this project was more of a new wave pop record. The guitars were recorded in about 2 days. The studio was in New York City in a little loft-type apartment. Shankar had endless energy. At the end of a hour session, I had to catch a train at 9 in the morning but still had one more song to do.
Luckily I whisked through the song quickly but by the end my brain felt like wet bread. Bob is one of the most talented musicians I know. I worked with him in the Frank Zappa band. He and his wife, Suzannah, are also dear friends of mine. It's very "new agey", and very inspired. I play sitar on a track called "Autumn in Nepal". The music on this record is deeply devotional which is quite possibly the most profound form of inspiration for the birth of an artistic statement. Produced by Bill Laswell and John Lydon.
I did basically all the guitar parts in 2 days. Bill Laswell took a very interesting approach to the production of this disc. At the end, Johnny Lydon came in and liked it. Hanging out with him is a unique pleasure. There was the consideration of putting a band together — him, myself, Bill Laswell on bass and Ginger Baker on drums. Would have been quite a band. We were sitting in a restaurant and some guy came up to him with some lyrics he wrote.
The first line read "I fucked Christ". Hill Of The Skull 7. Circles 8. Lords Of Karma 9. Midnight The Crush of Love 2. Ice Nine 3. Memories 4. Flying in a Blue Dream 2.
Can't Slow Down 4. Headless 5. Strange 6. I Believe 7. One Big Rush 8. Big Bad Moon 9. The Feeling The Phone Call Back to Shalla-Bal Ride The Forgotten Part One The Forgotten Part Two The Bells of Lal Part One The Bells of Lal Part Two Friends 2. The Extremist Living on the Edge 3. War 4. Cryin' 5. Rubina's Blue Sky Happiness 6. Summer Song 7. Tears in the Rain 8. Why 9. Motorcyle Driver Cryin' — 2. Always with Me, Always with You 3.
Thinking of You 4. The Crush of Love 5. I Believe 6. Rubina 7. All Alone 9. Why Echo Rubina's Blue Sky Happiness Day at the Beach Time Machine 2. The Mighty Turtle Head 3. All Alone 4. Banana Mango II 5. Thinking of You 6. Crazy 7. Speed of Light 8. Baroque 9. Dweller on the Threshold Banana Mango Dreaming 11
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